sábado, novembro 15, 2008

[Q1.2/o1] Rock & Vários



-CRISTINA (BELEZA É FUNDAMENTAL)-


Abriste uma excepção só para ele
A vida tem destas coisas
Pensaste que para ti era um amigo
Mas não te via assim

Dizes que te guardaste só para ele
Ficaste sempre à espera
Estás cansada de tanto tempo esperar
Agora és uma fera

Cristina não vais levar a mal
mas beleza é fundamental
Cristina não vais levar a mal
mas beleza é fundamental

Essa imagem da tua cama está
Ainda bem real
E as coisas que me contaste têm para ti
valor emocional

Hoje tu não precisas de protecção
És dona de ti mesma
Já não tens que ter medo da escuridão
Nem de te deitares cedo

Cristina não vais levar a mal
mas beleza é fundamental
Cristina não vais levar a mal
mas beleza é fundamental


Roquivários, Rock & Vários- 1982

domingo, setembro 28, 2008

[Q3.2/o1] The Killers



-HUMAN-


I did my best to notice
when the call came down the line
up to the platform of surrender
I was brought but I was kind
and sometimes I get nervous
when I see an open door

close your eyes, clear your heart

cut the cord
are we human or are we dancer
my sign is vital, my hands are cold
and I'm on my knees looking for the answer
are we human or are we dancer

pay my respects to grace and virtue
send my condolences to good
give my regards to soul and romance
they always did the best they could
and so long to devotion, you taught me everything I know
wave good bye, wish me well

you gotta let me go
are we human or are we dancer
my sign is vital, my hands are cold
and I'm on my knees looking for the answer
are we human or are we dancer

will your system be alright
when you dream of home tonight
there is no message were receiving
let me know is your heart still beating

are we human or are we dancer
my sign is vital, my hands are cold
and I'm on my knees looking for the answer

you've gotta let me know
are we human or are we dancer
my sign is vital, my hands are cold
and I'm on my knees looking for the answer
are we human
or are we dancer

are we human or are we dancer

are we human or are we dancer


Day & Age, The Killers- 2008

sábado, setembro 06, 2008

[Q1.1/o2] Victoria Beckham



-MIND OF IT'S OWN-


Stop, slow down, take a deep breath (ooh yeah)
Stop, slow down, take a deep breath (na na na na na)
Ooh, oh

I look at you and I know you're trouble
I should run just fast as I can
One smile, game over
Here in front of you I stand
I know you're only gonna burst my bubble
Trouble is my heart don't care
It's ignoring all the danger signs
Stop, Slow down, take a deep breath, beware

I'm not willing to be so fearless, careless, just yet
Once bitten, twice shy, is what you get

My hearts got a mind of it's own
Won't listen to a word I say
Doesn't it know that I get hurt too
When it acts that way
Cos When it breaks I break
I don't know how much more of this I can take
Doesn't it know that I get hurt too
When it acts that way

Too many times I've witnessed
My heart make a fool of itself
So sure it's gonna turn out one way
Always turns out being somethin' else

My hearts got a real malfunction
Always flippin' into over ride
When I tell it to be sensible
It over rules my cynical mind

I'm not willing to be so open, transparent, no not yet
Once bitten twice shy, is what you get
(But here in front of you, there's nothin I can do)

My hearts got a mind of it's own
Won't listen to a word I say
Doesn't it know that I get hurt too
When it acts that way
Cos When it breaks I break
I don't know how much more of this I can take
Doesn't it know that I get hurt too
When it acts that way

My hearts got a mind of it's own
Won't listen to a word I say (word I say)
Doesn't it know that I get hurt too (hurt too)
When it acts that way
Cos When it breaks I break
I don't know how much more of this I can take
(I don't know how much more of this I can take)
Doesn't it know that I get hurt too
When it acts that way

Stop, slow down, take a deep breath
Think about what I'm doin'
Think about once bitten, twice shy
Stop, slow down, take a second
Before you rush right in
It's gonna be my tears you cry

My hearts got a mind of it's own (of it's own)
Won't listen to a word I say
Doesn't it know that I get hurt too
When it acts that way (when it acts that way)
Cos When it breaks I break (I break)
I don't know how much more of this I can take
(More of this I can take)
Doesn't it know that I get hurt too (get hurt too)
When it acts that way (when it acts that way)

My hearts got a mind of it's own (mind of it's own)
Won't listen to a word I say
Doesn't it know that I get hurt too
(Doesn't it know that I get hurt too)
When it acts that way (when it acts that way)
Cos when it breaks I break (Cos when it breaks I break)
I don't know how much more of this I can take
(More of this I can take)
Doesn't it know that I get hurt too
When it acts that way

My hearts got a mind of it's own
My hearts got a mind of it's own
Stop, slow down, take a deep breath
[Fade]

Victoria Beckham(VB), Victoria Beckham - 2002

domingo, agosto 31, 2008

[Q1.1/o2] Mike Oldfield



-TO FRANCE- (Voz: Maggie Reilly)


Taking on water,
Sailing a restless sea
From a memory,
A fantasy.
The wind carries
Into white water,
Far from the islands.
Don't you know you're
Never going to get to France.
Mary, Queen of Chance, will they find you?
Never going to get to France.
Could a new romance ever bind you?
Walking on foreign ground,
Like a shadow,
Roaming in far off
Territory.
Over your shoulder,
Stories unfold, you're
Searching for sanctuary.
You know you're
Never going to get to France...
I see a picture
By the lamp's flicker.
Isn't it strange how
Dreams fade and shimmer?
Never going to get to France...
I see a picture
By the lamp's flicker.
Isn't it strange how
Dreams fade and shimmer?
Never going to get to France...
Never going to get to France.
Never going to...
Never going to get to France.
Never going to...
Never going to get to France.
Never going to...

Discovery, Mike Oldfield - 1984

sábado, agosto 30, 2008

[Q2.2/o2] Manic Street Preachers



- LITTLE BABY NOTHING -


No one likes looking at you
Your lack of ego offends male mentality
They need your innocence
To steal vacant love and to destroy
Your beauty and virginity used like toys

My mind is dead, everybody loves me
Wants a slice of me
Hopelessly passive and compatible
Need to belong, oh the roads are scarey
So hold me in your arms
I wanna be your only possession

Used, used, used by men
Used, used, used by men

All they leave behind is money
Paper made out of broken twisted trees
Your pretty face offends
Because its something real that I cant touch
Eyes, skin, bone, contour, language as a flower

No God reached me, faded films and loving books
Black and white tv
All the world does not exist for me
And if Im starving, you can feed me lollipops
Your diet will crush me
My life just an old mans memory

Little baby nothing
Loveless slavery, lips kissing empty
Dress your life in loathing
Breaking your mind with barbie doll futility

Little baby nothing
Sexually free, made-up to breakup
Assassinated beauty
Moths broken up, quenched at last
The vermin allowed a thought to pass them by

You are pure, you are snow
We are the useless sluts that they mould
Rock n roll is our epiphany
Culture, alienation, boredom and despair

You are pure, you are snow
We are the useless sluts that they mould
Rock n roll is our epiphany
Culture, alienation, boredom and despair

Generation Terrorists, Manic Street Preachers - 1992

[Q3.1/o3] Josh Rouse



- SWEETIE -


Lazy dreamers on a Winter's night
making plans of the Spring
Paint a picture while I put away my clothes

Crooked couple standing side by side
Is that you? Is that me?
Life in circles, and we dream up someplace to go

We'll sleep on rooftops
We'll ride on bicycles
Baby, we'll get married
Don't you want to, Sweetie?

So much talent you're not fit for this world
As an actress, there's no screen
A couple movies, now you're stuck in this Broadway show

Sink full of dishes and a dirty face
Where's the passion? Talk is cheap
Life in circles, then we turn the lights down low

We'll sleep on rooftops
We'll ride on bicycles
Baby, we'll get married
Don't you want to, Sweetie?

We hear some music
Coming from the street down below
And the melody carries
Oh, you sing with me, Sweetie

Girl, you sing with me
La-la-la-la-la
La-la-la-la-la
La-la-la-la-la

La-la-la-la-la
La-la-la-la-la
La
(repete)

And if I can love you
Just like you deserve to be
Tell me, what's your feeling
Don't you want to, Sweetie?

Hear pretty, pretty music
coming from the street down below
And the melody carries
Won't you sing with me, Sweetie?

We'll walk down boardwalks
We'll ride on bicycles
Baby, we'll get married
Don't you want to, sweetie?
Don't you want to, sweetie?

Don't you want to, sweetie?

Country Mouse, City House, Josh Rouse - 2007

segunda-feira, julho 21, 2008

[Q3.2/o1] The Doves


- POUNDING -


I can't stand by, see you destroyed
I can't be here and watch you burnin out
lie for a moment and lie as a decoy
It doesn't matter if I give in easy

So why is it so hard to get by? (and I said)
we so down
but it's now or never baby
we don't mind
if this don't last forever

see the light
but it won't last forever
seize the time
cause it's now or never, baby

let's leave at sunrise
let's live by the ocean
I don't mind if we, never come home( at all)

Let's give 'em warnings
to set in motion
in and out of love and institutions

cause I know this can't last for long
we so down
but it's now or never baby
we don't mind
if this don't last forever

see the light
but it won't last forever
seize the time
cause it's now or never, baby

So why, is it so hard to get by?
We so down
and this can't last forever
we don't mind
cause it's now or never, baby

The Last Broadcast , The Doves - 2002

sexta-feira, junho 27, 2008

[Q3.2/o1] Los Tulipanes



- EL ANGEL -


Eso empezó aquella tarde que yo a la
morocha
Después de un par de cartitas la
fui a visitar
Me tomé como 10 coletivos y
en medio de la fiesta
Llegó el marido, no
pude escapar.
Eso ni ahí se compara cuando
fui de picning
Y en medio de Palermo empezó
a llover
Junté los sanduches de salame y la
caja de vino
Llegó la policia,
empecé a correr.
Cruzando la vía te
juro, que yo no vi el tren.

Y ahora estoy aquí, sentado en una nube
Ya soy un ángel, no puedo volver
Y desde aquí te doy sólo un consejo hermano
"Cuida bien tu vida que en el cielo no existe el placer"

Coro:
Porque en el cielo no hay Vino y cerveza
No hay milanesa
No hay pizza y café
Porque en el cielo no hay
Plantitas verdes
No hay tortas fritas
No hay coca y fernet

Cuando llegué al paraíso
hablé con San Pedro
Yo quería un poco de vino y una mujer
Pero San Pedro enojado me dijo:
"Hijo mio, si querés joda, mi amigo, hablá con Moisés"

Moisés me dijo:
"En el cielo no existe el placer"

Coro:
Porque en el cielo no hay
Vino y cerveza
No hay Milanesa no,
No hay coca y fernet
No hay coca y fernet
No hay coca y fernet

Los Tulipanes , Los Tulipanes- 1991

terça-feira, maio 20, 2008

[Q1.2/o2] Sandra



- IN THE HEAT OF THE NIGHT -


Talk to me - want my love. Talk to me - but not that stuff.
You ain't get enough using my love.
You call for me
again I'll see.

In the heat of the night -
You lose control and sell your soul -
I lose control in the heat of the night -
It's much too late to leave the trade -
But I can't stand it anymore -
You lose your heart and sell your soul -
I lose control in the heat of the night -
In the heat of the night -

Talk to me - want my love. Talk to me - but not that stuff.
Who's on my side losing my pride?
You call for me
again I'll see.

In the heat of the night - . . .
In the heat of the night -

In the heat of the night - . . .
You lose your heart and sell your soul -
It's much too late to leave the trade -

The Long Play, Sandra- 1995

sábado, abril 19, 2008

[Q3.1/o1] Plain White T's


- HEY THERE DELILAH -


Hey there Delilah
What's it like in New York City?
I'm a thousand miles away
But girl tonight you look so pretty
Yes you do
Time Square can't shine as bright as you
I swear it's true

Hey there Delilah
Don't you worry about the distance
I'm right there if you get lonely
Give this song another listen
Close your eyes
Listen to my voice it's my disguise
I'm by your side

Oh it's what you do to me
Oh it's what you do to me
Oh it's what you do to me
Oh it's what you do to me
What you do to me

Hey there Delilah
I know times are getting hard
But just believe me girl
Someday I'll pay the bills with this guitar
We'll have it good
We'll have the life we knew we would
My word is good

Hey there Delilah
I've got so much left to say
If every simple song I wrote to you
Would take your breath away
[ Hey There Delilah lyrics found on http://www.completealbumlyrics.com ]
I'd write it all
Even more in love with me you'd fall
We'd have it all

Oh it's what you do to me
Oh it's what you do to me
Oh it's what you do to me
Oh it's what you do to me

A thousand miles seems pretty far
But they've got planes and trains and cars
I'd walk to you if I had no other way
Our friends would all make fun of us
And we'll just laugh along because we know
That none of them have felt this way
Delilah I can promise you
That by the time we get through
The world will never ever be the same
And you're to blame

Hey there Delilah
You be good and don't you miss me
Two more years and you'll be done with school
And I'll be making history like I do
You know it's all because of you
We can do whatever we want to
Hey there Delilah here's to you
This ones for you

Oh it's what you do to me
Oh it's what you do to me
Oh it's what you do to me
Oh it's what you do to me
What you do to me.

in Every Second Counts, Plain White T's- 2007

[Q3.2/o1] Camera Obscura



- IF LOOKS COULD KILL -


Tell me where it all went wrong
Maybe I can make it better
Tell me where it all went wrong
Don't you know that you really upset her
When you act like a man who is cross with every woman he's never had
If it's true looks could kill and you will be the first to make me mad
Then you'll have to go

Is this the kind of fate you could contemplate
A breakdown at my very sight
I promise hidden words of tenderness in every single line that I write
Still you act like a man who is cross with every woman he's never had
If it's true looks could kill and you will be the first to make me mad
Then you'll have to go
Maybe you'll have to go

Is it true looks can kill
Is it true looks can kill
Is it true looks can kill

in Let's Get Out Of This Country, Camera Obscura- 2006

[Q3.2/o1] Linkin' Park



- SHADOW OF THE DAY -


I close both locks below the window
I close both blinds and turn away

Sometimes solutions aren't so simple
Sometimes good bye's the only way

[Chorus]
And the sun will set for you
The sun will set for you

And the shadow of the day
Will embrace the world in grey

And the sun will set for you
[End Chorus]

In cards and flowers on your window
Your friends all plead for you to stay

Sometimes beginnings aren't so simple
Sometimes good bye's the only way

[Chorus]
And the sun will set for you
The sun will set for you

And the shadow of the day
Will embrace the world in grey

And the sun will set for you

And the shadow of the day
Will embrace the world in grey

And the sun will set for you

And the shadow of the day
Will embrace the world in grey

And the sun will set for you
[End Chorus]

in Minutes to Midnight , Linkin' Park - 2007

sexta-feira, fevereiro 15, 2008

[Q1.2/o1] Rita Lee



- BANHO DE ESPUMA - (VIDEO: RAI-TV)


Que tal nós dois numa banheira de espuma
El cuerpo caliente , um dolce farniente
Sem culpa nenhuma

Fazendo massagem, relaxando a tensão
Em plena vagabundagem, com toda disposição
Falando muita bobagem , esfregando com água e sabão

Que tal nós dois numa banheira de espuma
El cuerpo caliente , um dolce farniente
Sem culpa nenhuma


Fazendo massagem, relaxando a tensão
Em plena vagabundagem, com toda disposição
Falando muita bobagem , esfregando com água e sabão

Lá no reino de Afrodite o amor passa dos limites
Quem quiser que se habilite, o que não falta é apetite

Que tal nós dois numa banheira de espuma ...

Saúde, Rita Lee - 1981

segunda-feira, fevereiro 04, 2008

[Q1.2/o1] Sandra



- MARIA MAGDALENA -


You take my love
You want my soul
I would be crazy to share your life
Why can't you see what I am
Sharpen the senses and turn the knife
Hurt me and you'll understand

I'll never be Maria Magdalena
(You're a creature of the night)
Maria Magdalena
(you're a victim of the fight)
(you need love)
Promised me delight
(You need love)

Why must I lie
Find alibies
When will you wake up and realize
I can't surrender to you
Play for affection and
Win the prize
I know those party games too

I'll never be Maria Magdalena
(You're a creature of the night)
Maria Magdalena
(you're a victim of the fight)
(you need love)
Promised me delight
(You need love)

The Long Play, Sandra- 1985

domingo, janeiro 06, 2008

[Q3.2/o1] Coti



- SOLEDAD -


Quiero que comprendas, en un pozo caimos
tuvimos nuestro pacto y no lo cumplimos
y no es cuestión de culpas nada más
si el ángel que cuidaba nuestra puerta lo hizo mal
y no hay que hacer preguntas que no tienen respuesta
la vida está plagada de malditas apuestas
y no hay ninguna duda, te perdí
pero el perro que tenía me alquiló su cicatriz.
Soledad...

Y ya no hay nada que hacer, la distancia no entiende de penas
y ya no hay nada que hacer, con pasiones y vidas ajenas.
Maltratado por el humo me acosté
más que nunca tengo escrito soledad en mi pared.

Me esperan noches largas tirado en la alfombra
prefiero estar a oscuras por no ver mi sombra
y tal vez no reconozca que te vi
estabas con tu saco verde y tu bufanda gris.
Soledad...

Y ya no hay nada que hacer, la distancia no entiende de penas
y ya no hay nada que hacer, con pasiones y vidas ajenas.
Maltratado por el humo me acosté
más que nunca tengo escrito soledad en mi pared.

Y ya no hay nada que hacer soledad
y ya no hay nada que hacer, con pasiones y vidas ajenas.


Y ya no hay nada que hacer soledad
y ya no hay nada que hacer, con pasiones y vidas ajenas.
Soledad...

in Canciones Para Llevar, Coti - 2004